Rodney Campbell's Blog

Tunneled

NIKON Z 7 + NIKKOR Z 14-30mm f/4 S @ 14 mm, 315 sec at f/8, ISO 100

More tunnel light painting goodness in the lower Blue Mountains

AOAM RGB Critter with the BitWhip attachment for the lighting on the ground including the green channel. This is actually a MUCH faster and easier way to achieve a sort of veined EL Wire like look on large areas of ground. What would normally take over ten minutes of painstaking work to do with EL wire probably took less than a few minutes with the BitWhip

Meanwhile Gerry’s doing a steel wool spin in the middle and lighting forward to give himself a bit of a silhouette

Note: These photographs (especially the wider shots) look much better when larger. To see larger versions in an inline overlay slideshow gallery viewer click any of the images.

Gorgeous Rakaia, New Zealand

Rakaia

DJI Mini 3 Pro FC3582 + 6.7 mm f/1.7 @ 6.72 mm, 1/6400 sec at f/1.7, ISO 110 x 35 Frames

Note: These photographs (especially the wider shots) look much better when larger. To see larger versions in an inline overlay slideshow gallery viewer click any of the images.

Splashdown

NIKON Z 7 + NIKKOR Z 14-30mm f/4 S @ 14 mm, 558 sec at f/6.3, ISO 100

Back to our traditional light painting tools and another freaking long exposure (nearly ten minutes)

Gerry doing the copious (and back breaking) green EL Wire carpet on the ground and the Colorshine colour changing torch on the walls. Me with the LED umbrella orb in two colours plus the zig zag shell. Plus a few fairy sparkles with the Emisar D4V2 Anduril 2 torch

Note: These photographs (especially the wider shots) look much better when larger. To see larger versions in an inline overlay slideshow gallery viewer click any of the images.

Rakaia Gorgeous

DJI Mini 3 Pro FC3582 + 6.7 mm f/1.7 @ 6.72 mm, 1/1000 sec at f/1.7, ISO 100 x 3 Frames

Rakaia Gorge, New Zealand

BitWhip Adventures

NIKON Z 7 + NIKKOR Z 14-30mm f/4 S @ 14 mm, 163 sec at f/5.6, ISO 100

More experiments with the AOAM RGB Critter and BitWhip. This time with some “inverted trees” or “lizards” as I called them. I’m the “model” with Gerry doing the lighting

Underneath Lennox Bridge near Glenbrook in the Blue Mountains